His two sets tonight bookend ROGER GUENVEUR SMITH's startling one man show, FREDERICK DOUGLASS NOW, a special evening inspired by the bicentennial of the dynamic abolitionist and pioneering feminist Frederick Douglass (1818-1895). Assertive, precise, and expressive of a timeless yet daring sensibility, the rigor and historical depth of Branford's music is one of a kind. In the educational sphere, he has held positions at Michigan State, San Francisco State, and North Carolina Central University. His work cuts across genre and medium-his group Buckshot LeFonque merges jazz with rock and hip hop influences, and his work in classical music brings him into concert halls worldwide playing saxophone repertoire with symphony orchestras and chamber ensembles. OL20046297W Page_number_confidence 93.42 Pages 230 Partner Innodata Pdf_module_version 0.0.18 Ppi 360 Rcs_key 24143 Republisher_date 20220211103350 Republisher_operator Republisher_time 680 Scandate 20220207050636 Scanner Scanningcenter cebu Scribe3_search_catalog isbn Scribe3_search_id 9781617754852 Tts_version 4.The GRAMMY Award-winning New Orleans-based saxophonist and bandleader BRANFORD MARSALIS is "a jazz chameleon…with a swooping tone, supple phrasing, and witty licks." ( AllMusic) He cut his teeth with Art Blakey's Jazz Messengers and his brother Wynton's quintet, not to mention guest appearances with Miles Davis and Dizzy Gillespie, before forming his own influential Branford Marsalis Quartet in 1986.
Access-restricted-item true Addeddate 09:29:34 Associated-names Hamm, Theodore, 1966- editor Bookplateleaf 0002 Boxid IA40362220 Camera USB PTP Class Camera Collection_set printdisabled Foldoutcount 0 Identifier frederickdouglas0000doug_o5a3 Identifier-ark ark:/13960/s2bq9dd93wf Invoice 1652 Isbn 9781617754852ġ617754854 Lccn 2016935081 Ocr tesseract 5.0.0-1-g862e Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 0.9576 Ocr_module_version 0.0.15 Ocr_parameters -l eng Old_pallet IA-WL-1300124 Openlibrary_edition
0 kommentar(er)
